Recording Studio Equipment

MICROSUEDE 4″ BASS TRAPS

By on May 27, 2012 in Recording Studio Articles, Recording Studio Equipment | 0 comments

  Looking to control the acoustics in your studio? So were we when we built our first bass trap. We had extras and listed them on craigslist, and they sold like hotcakes. Since there was a market for affordable yet effective sound absorption materiels, it made sense to fill the need for our customers. Enter Mixmastered Acoustics.  At 4 inches thick, these thicker...

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Microphone Clamp

By on Aug 4, 2011 in Recording Studio Articles, Recording Studio Equipment | 0 comments

This question is from Dave S. a student at Berklee in Boston: I just got a mic and pop filter boomstand (clamp). But cant tell where I’m supposed to tighten the filter anti-pop. And how far from the vocalist should it be? No matter where the pop-filter is on the mic stand – the extent to which lies between the mouth and the microphone so that can do its...

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KOMPLETE 8 ULTIMATE: A Producer’s Dream

By on Aug 3, 2011 in Recording Studio Articles, Recording Studio Equipment | 0 comments

So far we have been impressed by most of the the products that Native-Instruments offers, and expect this to be even more impress ive! KOMPLETE makes a dramatic breakthrough. The world’s leading pro studio bundle of instruments and effects now comes in two sizes: KOMPLETE 8 — the quintessential production package loaded with even more content at the same great...

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The Return of the Event 20/20BAS

By on Aug 2, 2011 in Recording Studio Articles, Recording Studio Equipment | 0 comments

Event 20/20BAS Studio Monitors The Event 20/20BAS studio monitor started an industry revolution in the mid 1990s. Never before had such transparency and definition been made available to such a wide range of artists and engineers. Since that time the 20/20s have gone down in history as a cult speaker, one that many internationally-recognised engineers, producers and...

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